Saturday, December 8, 2012
LIGHT AND HUMAN HEALTH
The human
body is so complicated and very sensitive to our environment. Numerous recent chronobiological
studies have revealed the influence of light on our health, both mentally and
physically. Our natural circadian causes
our body to behave with different responses to light patterns. When daylight decreases our body produces a
hormone called melatonin that promotes sleep.
This hormone is sensitive to both natural and artificial light. Another factor the human body has with light
is the effects of blue wavelengths in decreasing the levels of melatonin.
Cancer is a
common disease among night shift workers and shift nurses, who have to work
against the body’s natural instinct of being awake during the night. There can
be architectural solutions for this problem by having both dark and light
spaces designed specifically for the workers activity needs.
Lights relationship
to the body’s health requires special attention to individual needs. Each
person may have different preferences to the amount of light, color and
intensity of light. It is necessary to
think about the individuals using the space, and create a design with controllable
lighting systems. Designs for the elderly, and individuals with disabilities are
critical because of the quality and quantity of light necessary for their
movement and activities in the space.
These
findings reveal the important roll of interior architects in design
considerations of daylight on interior spaces.
Creating spaces that cause less
Seasonal Affective
Disorder (SAD) by balancing the amount of red and blue light in their
artificial lighting design creates a space with less undesirable physiological,
mental, and behavioral effects on the end user.
REVEALING THE NATURAL LIGHT
As described
in the “Light Revealing Experience” essay, our experience of light comes from
places that we know: the house that we
grew up in, our school, the cities that we’ve lived or visited, and many other
environments.
During
winter, one of the most pleasant moments of my childhood was when I felt the
morning sunlight on my skin. The morning light shined through a large picture window
and filled the living room. Although the size of the window caused energy loss during
the summer and winter months, the area that it lit up was warm and soothing.
Often, living or spending time in a place can
help us understand the attitude, and patterns of light. Such is the case in my current home, when it
had taken me an entire year to figure out the intensity of the sun light as it
shined into the dining room during the summer months, and specifically the
afternoons. The different qualities of light can dramatically alter our understanding
of the Sun’s movement. Observing the transition of the light in a small cozy
dining room as a source of heat and light, even when the window shade is drawn
to prevent the suns glare, is enchanting. This experience reveals different roles
of light throughout the day.
In
considering climate problems, engaging the lighting conditions into design
solutions allows light to play a major role in the creative process. As in Iranian historical architecture, empty
frames were used in various weather conditions. They were constructed from
wood, and then covered with glass to form a window. Also, they could be
assembled in a way to shape a wall for a balcony. These balcony walls had
successfully prevented the sun from shining directly into the space during hot
and humid weather conditions. This
design feature helped facilitated air circulation while creating beautiful patterns
and textures of light on the surrounding surfaces. Other design features of
these frames had them completely covered with various colors of glass for both the
hot and dry conditions.
Another
experience I can recall was walking through a historical shopping center called
a “Bazaar”, and seeing light as an image of nature. Typically, the Bazaar is a permanent enclosed
merchandising area with controlled climate conditions, and has streets of shops
where goods and services are exchanged and sold. Walking through with stores on
either sides, surrounded by sounds and attractions, is a surreal world. Suddenly,
I saw a beam of light coming through an opening of the ceiling as an unexpected
phenomenon. It was a pleasant surprise,
in an unlikely place.
The use of skylights
as a design solution can bring light to the inner portions of a building that
would otherwise be dim, but careful considerations in its application must be
anticipated. As in any design solution it
can be successful or unsuccessful. A successful example of this design features
is used by Steven Holl at the Kiasma Museum of Contemporary Art in Helsinki,
Finland. Holl’s use of a skylight brings diffused light into the inner space, and
brightens the entrance hall in an artistic and spiritual way. An unsuccessful
attempt with the use of a skylight is the main building of the Engineering Department
at the University of Mashhad. The skylight in the lobby brings straight and
intense sunlight into the building. It has no filtration and makes it too hot
during the summer months. The designer disregarded the fact that light has two simultaneous
aspects of illumination and heat that might make visiting such buildings an
unpleasant experience.
In adding to
my past experiences of light, studying this course with detailed reading and
experimentation will be helpful in understanding the patterns of daylight, and the
manipulation I could use to create lively spaces.
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